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Music Performance Theater passes first acoustic test

Five months before the first audience is expected in RIT’s new Music Performance Theater, a string quartet from the Rochester Philharmonic Orchestra and students from the RIT Philharmonic Orchestra were the first to take the stage to help conduct acoustic testing.

Ground was broken in September 2023 for the 750-seat theater. A majority of the construction is completed, and an opening night performance is scheduled for April 10, with interactive public tours during the Imagine RIT: Creativity and Innovation Festival on April 25. The first student musical theater production will be held next fall.

Before he took the stage, RIT Philharmonic violinist Nathaniel Jarrett, a fourth-year computer science major and a performing arts scholar from Natick, Mass., took a seat in the center of the theater and looked around.

“It’s a lot bigger than I thought,” he said. “It’s exciting to be here to be part of the acoustic testing.”

The performers sat near the front of the stage, then moved to mid-stage, then to the rehearsal studio, and lastly to the orchestra pit, which is exposed when the front of the stage is lowered 10 feet.

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three students practice instruments in a brightly lit room

Carlos Ortiz/RIT

Members of the RIT Philharmonic Orchestra, left to right, Owen Faust, Nathanial Jarrett, Lucas Kishore, and Luka Porter, perform in a rehearsal studio to test acoustics in the Music Performance Theater which will open this spring.

“We’re very impressed with the way things turned out,” said Erik Bergal, one of two consultants with Nagata Acoustics, who traveled from Los Angeles to help with the testing. “We’re listening to the overall acoustical quality to make sure we get good, clear sounds and richness, and we’re obviously trying to find out if there are any issues, like echoes. We haven’t found anything that is problematic.”

Bergal said it’s important that every theater patron gets a good experience with reverberant sound energy, regardless of if they are in orchestra, mezzanine, or balcony seating. He was involved in the acoustic design of the theater, working closely with renowned Los Angeles-based architect Michael Maltzan, and consulted on the interior’s shape and materials, such as the curved ceiling and textured walls.

“It’s quite different than a movie theater which is designed to be an acoustically dead, neutral space with a sound engineer doing the audio work,” he said. “Here, we have to use the room itself, use the walls to keep the sound energy in the space, and get a nice distribution. What we heard today sounds great, especially the balconies sounded great.”

Faculty members from RIT’s School of Performing Arts, and the school’s director, Erica Haskell, also attended.

Yunn-Shan Ma, director of the RIT Philharmonic Orchestra, sat on stage with the musicians and in various seats where audience members would sit.

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acoustic consultants listen to a string quartet from the Rochester Philharmonic play

Carlos Ortiz/RIT

In the background, Elspeth Wing and Erik Bergal, acoustic consultants, listen to a string quartet from the Rochester Philharmonic play in the Music Performance Theater. The 750-seat venue will open this spring.

“It’s my first time in the theater, so for me it is interesting to see and to listen to how the space is resonant, how clear the higher parts or lowers parts are projected, and how the sound blends,” she said. “It sounds very good here, especially toward the front of the stage. I have been walking around in the space, and I think overall the acoustics in this performance hall are very, very, good. I cannot wait.”

Ben Willmott, director of operations and administration for the School of Performing Arts, said it was “a thrill to hear professional and student musicians perform in the space after all the hard work and institutional investment in performing arts on campus. We are especially thankful for our campus and community partnerships that made this possible.”

Bergal said this venue is also unique because of the students who will be performing once the theater opens.

“It’s pretty impressive for a technical institute to have this quality of musicians,” he said. “Even talking with them, they are pretty articulate in describing what they were hearing, which is good to hear.”

Bergal may return to RIT once a massive, nearly 100-year-old restored pipe organ is installed in the theater.

“The organ will make this theater very special. It is going to be very interesting to hear,” he said.

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