Sculptor Albert Paley gives personal archive to RIT
Internationally renowned metalworker and educator Albert Paley has given his personal papers to Rochester Institute of Technology.
Carlos Ortiz/RIT
The Albert Paley Archive Collection in the RIT Archives preserves the legacy of the artist, entrepreneur, and educator. Project archivist Ella Von Holtum catalogs the collection.
The Albert Paley Collection in the RIT Archives preserves the legacy of a celebrated working artist, entrepreneur, and educator. He is known around the world for his large-scale municipal works, sculptures, gates, architectural pieces, furniture design, and decorative arts.
Paley’s approach to art, technology, design, and business will provide student-learning experiences across the university and attract visiting scholars to RIT, said Elizabeth Call, RIT university archivist.
“The Paley collection serves as a cornerstone of the RIT Archives’ Entrepreneurship and Innovation collections,” Call said. “The materials in Paley’s archive promote hands-on teaching and learning and amplify the university’s legacy and contributions from RIT’s broader community.”
Carlos Ortiz/RIT
Eminent artist Albert Paley kept meticulous records of his art projects, such as this blueprint. RIT students can learn from his business practices.
The artist’s activities from 1950 to the 2000s follow his transition from jewelry designer to sculptor of decorative objects, such as fireplace grates and lamps, and his signature large-scale metal sculptures. His first municipal commission began in 1972 with the Smithsonian Institute’s Renwick Gallery gates, installed in 1974. In 1984, he incorporated his studio in Rochester, N.Y., Paley Studios Ltd.
More than half of the collection contains business records from the Paley Studios, according to Ella Von Holtum, project archivist.
Paley meticulously documented each job proposal, public and private commissions, budget negotiations, and executed projects.
“His detailed record keeping shows the practices Paley used to create his business of making art. His approach and work ethic can serve as a model for young artists,” Von Holtum said.
Elizabeth Lamark/RIT
Sculptor Albert Paley constructed the 73-foot-high Sentinel in 2003 on the RIT campus.
The 240 boxes of materials also includes hundreds of the artist’s sketchbooks that track the evolution of familiar shapes in his work, Von Holtum said.
Paley intends for students to use his materials. While access to the collection is limited during processing, classes will have early access before the first exhibit planned for 2026.
“I think the collection tells this very interesting story about how an artist’s creative process takes shape and evolves over time and how a person with a vision runs a business and keeps that business running for decades in a successful way,” Von Holtum said.
Paley has a long association with RIT as a distinguished professor and artist-in-residence in the School for American Crafts. Three of his works can be found on the campus, including the “Sentinel,” one of his largest architectural commissions.
Paley’s distinctive work can be found in public spaces, such as at the St. Louis Zoo and the Cleveland Botanical Gardens, and in permanent collections, including the Metropolitan Museum of Art, the British Museum, and the Memorial Art Gallery in Rochester, N.Y, among many other examples.
Paley, in April, will be awarded the Lifetime Achievement Award from the American Institute of Architects. He is the first metal sculptor to receive the award.
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